NEWS

Jack Savoretti’s Secret Life is a fast-paced track with some nostalgic notes reflected in the terrific look of the music video. Cinematographer Max Witting turned to Pixipixel for the camera package that included his favourite kit – Arri Alexa Mini LF and Canon TLS FD SSC lenses.

Together, starring James McAvoy and Sharon Horgan, tells the hilarious and heartbreaking story of a family who found a way to survive during the lockdown. Pixipxiel delivered the camera and lighting equipment for cinematographer Iain Struthers and gaffer Paul Sallent.

BAFTA announced its nominees for the 2021 TV Awards, and here at Pixipixel we are delighted to have supported these shortlisted projects – Small Axe, I Hate Suzie, Save Me Too, Belgravia and Ghosts.

We had the amazing opportunity to talk to show’s lighting gaffer Chris Georgas who shared details about his work on this Netflix drama starring Eve Hewson, Tom Bateman and Simona Brown.

Shot on Red Monstro with Canon Sumire Prime and Arri Alura Zoom lenses, brand-new drama “Grace” premieres on ITV.

Dive-in our recent interview with Ian Glenister to learn more about his fascinating career journey, favourite kit, and lighting for the Small Axe films.

DOP Annika Summerson is nominated in the 2020 BIFAs Best Cinematography category for her work on the feature film Mogul Mowgli. Learn more about Annika, her journey in filmmaking, and this exciting project.

We’re very grateful to gaffer Andy Cole for sharing his advice on getting started, go-to pieces of kit, and insights on the lighting approach for the film "Ammonite".

Shot by cinematographers Oli Russell and Michael Wood with camera and lighting equipment supplied by Pixipixel, the show tells a gripping story of a pair of conflicted coppers tracking down a deadly duo. We had the opportunity to interview DOP Oli Russell on his recent work on the show.

We are now stocking the Sony PXW-FX9 cameras. They will be replacing our highly popular FS7’s and according to Owen Tanner from our camera department they are “an improvement in every way over the FS7 - better sensor, colour science, more accessible buttons and better form factor”.

Renos from our engineering department has come up with an elegant and well-thought-out solution for attaching client monitors to Magliners. This new custom system is designed to hold a monitor securely and we’re sure you are all going to love using it.

Let’s talk about the new Litemat Spectrum from Litegear. It’s definitely an upgrade from the original litemats. Physically the Spectrum looks much the same as the existing Litemat range and has lost nothing in terms of its usability. It’s still small, thin, light and versatile as we have come to expect and appreciate. The main changes are all to do with performance and it’s all good news.

We're incredibly pleased to be one of the first in the UK to offer the Nikon AI-S lenses rehoused by Zero Optik. They use a set of Nikkor AI-S lenses from the 80s which were once the choice of photojournalists all over the world. Now they easily cover the Venice, ARRI LF and the Red Monstro to deliver soft, controlled flares suitable for many types of projects.