Gangs of London – one of the biggest Sky Original dramas – is back for its second season. Gaffer Tim Wiley turned to Pixipixel to supply the generators and lighting equipment package. We recently caught up with Tim and learnt more about the lighting approach on this production.
Read MorePixipixel supplied the camera package for Lady Chatterley’s Lover and the studio lighting package for Pretty Red Dress.
Read MoreWe’re excited to announce the latest additions to the Mechanix range including the Rotating Camera Mount, Undersling Camera Bracket, Sony Venice 2 Accessory Plate, Magliner Rotating Camera Mount, and Magliner Monitor Attachment.
Read MoreWe are excited to share that Pixipixel has received a carbon neutral certification. This is a key step in our sustainability journey towards meeting the Net Zero targets by 2030 and makes it one of the first rental facilities that can offer camera, lighting and generators to achieve this milestone.
Read MoreCase study: Our client required a body-mounted camera rig that would be latched on to the actor to film in a way that allows the audience to only ever see the main character and his point of view.
Our solution: The Mechanix Camera Body Rig
Read MoreTo support emerging talent, our team at Pixipixel has decided to offer lighting kit with a huge student discount.
Read MoreFor Netflix’s psychological thriller Anatomy of a Scandal, cinematographer Balazs Bolygo BSC, HSC chose to shoot on a Sony Venice with a range of lenses supplied by rental house Pixipixel.
Read MoreWe’ve recently talked to New York-based cinematographer Ashley Connor about the new film True Things - an intense story of a young woman whose life is turned upside down after a chance encounter with a charismatic stranger.
Read MorePixipixel is proud to have supplied the camera and lighting equipment for Starstruck Season 2, shot by cinematographer Will Hanke and lit by gaffer Sam Madden.
Read MoreWriter/director Clint Dyer worked with cinematographer Sashi Kissoon to film Death of England: Face to Face for the TV screen.
Read MoreWe are proud to announce that now ninety percent of our vehicles and all generators have switched from diesel to lower carbon fuel that’s 100% renewable, biodegradable and non-toxic.
Read MoreIn our recent interview with lighting gaffer Brian Beaumont we talked about one of his latest projects, the upcoming film “The Courier”.
Read MoreWe’re delighted that Pixipixel has been listed as an Albert-approved supplier.
Read MoreJack Savoretti’s Secret Life is a fast-paced track with some nostalgic notes reflected in the terrific look of the music video. Cinematographer Max Witting turned to Pixipixel for the camera package that included his favourite kit – Arri Alexa Mini LF and Canon TLS FD SSC lenses.
Read MoreTogether, starring James McAvoy and Sharon Horgan, tells the hilarious and heartbreaking story of a family who found a way to survive during the lockdown. Pixipxiel delivered the camera and lighting equipment for cinematographer Iain Struthers and gaffer Paul Sallent.
Read MoreBAFTA announced its nominees for the 2021 TV Awards, and here at Pixipixel we are delighted to have supported these shortlisted projects – Small Axe, I Hate Suzie, Save Me Too, Belgravia and Ghosts.
Read MoreWe had the amazing opportunity to talk to show’s lighting gaffer Chris Georgas who shared details about his work on this Netflix drama starring Eve Hewson, Tom Bateman and Simona Brown.
Read MoreShot on Red Monstro with Canon Sumire Prime and Arri Alura Zoom lenses, brand-new drama “Grace” premieres on ITV.
Read MoreDive-in our recent interview with Ian Glenister to learn more about his fascinating career journey, favourite kit, and lighting for the Small Axe films.
Read MoreDOP Annika Summerson is nominated in the 2020 BIFAs Best Cinematography category for her work on the feature film Mogul Mowgli. Learn more about Annika, her journey in filmmaking, and this exciting project.
Read More
